| March 26, 2009 | to | December 31, 2009 |
FASHION, JEWELLERY & ACCESSORIES
Magnificence of the Tsars, Magnificence of the Emperors: From The Moscow Kremlin Museums Collection
10 December 2008 – 29 March 2009, Fashion, Room 40,
The grandeur of Imperial Russia is captured in this display of the dress and uniforms of Emperors and officials of the Russian court. Starting in the 1720s with the lavishly embroidered coats and elaborately patterned silk banyans from the wardrobe of Tsar Peter II, the display spans a period of almost two centuries.
Hats: An Anthology by Stephen Jones.
24 February – 31 May 2009, The Porter Gallery
Working with radical hat designer, Stephen Jones, the V&A presents an ‘anthology of hats’. Drawn from V&A and international collections and ranging in style and period from a 17th-century Puritan’s hat to a 1950s Balenciaga couture piece to hats by Jones and his contemporaries including to the latest creations by young milliners such as Noel Stewart, the exhibition investigates the cultural and historic importance of millinery. The exhibition is arranged in four main themes – Inspiration looks at the myriad of sources including historicism, exoticism and the natural world; Creation explores the techniques, materials and processes; The Salon focuses on the buying and selling of hats and the millinery shop; and The Clients which examines the wearing and etiquette of hats and features headgear worn by well known clients of some of the world’s top milliners including Audrey Hepburn, Anna Piaggi, Dita von Teese.
The Olympic Stadium Project – Le Corbusier and Baghdad
9 October 2008 – 29 March 2009, Architecture, Room 128a
This display examines one of the last projects by Le Corbusier, begun in 1957, his fascinating design for a sports stadium in Baghdad. With specially commissioned models, it gives a sense of what this marvellous structure would have looked like had the project come to fruition. The stadium was planned around a set of innovative radially arranged ribs or “voiles”, the designs for 20 of which also feature in the display.
Le Corbusier regarded athletes as metaphors for modern man, and with Pierre Jeanneret he created an experimental design for a huge stadium for 100 000 people for athletic/cultural use. Le Corbusier referred to it as a “civic tool for a modern age.”
‘Seasons through the Looking Glass’ Tunnel Installation
28 March 2008 – 29 March 2009, Tunnel Entrance
Alice’s adventures began when she fell into a tunnel that unexpectedly twisted downwards to form a deep well. She landed abruptly on a heap of sticks and dry leaves. This notion of mythical underground spaces is the subject of CJ Lim’s installation, a multi-sensory and tactile intervention which explores the spatial possibilities of a subterranean garden.
Libraries of Light: Photographic Books from the V&A Collection
24 April 2008 – 19 April 2009, Photography, Room 38a
Photographic books are almost as old as photography itself. Indeed, one of the inventors of photography, William Henry Fox Talbot, was also author of one of the very first books to include photographs, The Pencil of Nature (1844). This display features highlights of historic, classic and contemporary photographic books from the Museum’s library alongside prints from the photographs archive.
The Booker Prize, 6 September 2008 – 17 May 2009
This display celebrates the 40th anniversary of the leading literary award, The Booker and Man Booker Prize. It presents winning and shortlisted books from the past forty years, alongside promotional material and the original Booker trophy, created by the artist Jan Pienkowski. It explores the practice of collecting Booker Prize books, featuring signed limited first editions and proof copies from the collection of the literary agent and book collector Peter Straus. The display demonstrates how the design of book jackets has changed since the first prize was awarded in 1969 and includes examples of bespoke bindings of shortlisted books created by members of one of the foremost societies devoted to the craft of fine bookbinding, the British Society of Designer Bookbinders.
Capturing the Moment. Photographs by Reg Wilson
18 March 2009 – 10 January 2010, Theatre and Performance Temporary Exhibition Gallery, Room 104
Reg Wilson is one of Britain’s most prolific performance photographers. From the 1960s he has recorded four decades of the performing arts in all their richness and variety, capturing the great and the good on stage, backstage and in the studio. This selection from Wilson’s archive, chosen by the artist, shows every aspect of the performance process from the studio to the finished product. It also demonstrates a range of techniques, from the staged photo-call to the snatched backstage shot and includes some of the earliest stage photography and colour productions.
Contemporary Drawings ‘Wine, Women and Song 1′, Martin Fuller,
7 March – 30 July 2009,Leighton, Room 102
The V&A has recently acquired an extensive group of contemporary drawings by artists who work across all the fine art disciplines: painters, sculptors, printmakers, photographers and installation artists. The drawings in this display are very diverse, ranging from the figurative, to the abstract, to the conceptual. What connects them is the versatile medium of drawing itself, the essential foundation of all art practice.
Medieval & Renaissance highlights – Makers and Markets
26 March 2007 – 27 April 2009 Sculpture, Room 117
This small display highlights the growing market in 16th century Europe for decorative goods – from costly lustreware, enamels and sculptures to more modest domestic stoneware pots. Works by some of the greatest sculptors of the period, such as Michelangelo, Benvenuto Cellini and Giambologna, are included. These artists were celebrated figures in their own lifetimes and princes, popes and the rising merchant classes were keen to acquire works by such celebrated masters.
Cultural Connections: Africa
July 2008 – June 2009, Sackler Centre, Room 220
This display presents a diverse group of objects with links to the African diaspora interpreted by an invited artist. Maria Amidu is interested in the relationships between people and public collections. Here she reflects on the role museum curators play in determining what appears on display and how it is presented.
The Art of Drinking
26 September 2007 – 26 April 2009, Room 66,
For the past 500 years drinking has stimulated a rich material culture. Specific situations and drinks require particular vessels, from stoneware beer mugs to jade wine cups and silver goblets. This display explores the varied and often curious designs of drinking vessels in order to explain their function and importance.
Fragments
10 November 2008 – 8 November 2009, Room 116, The Belinda Gentle Metalware Gallery
The metalwork collection includes fragments of objects. These are often beautiful, intriguing and revealing in their own right. On first seeing them, we often wonder what they are. By examining a detail we can understand more about the whole object, what it is made of, and how it was made. This display showcases fragments of objects and looks at how they were made.
http://london.londinium.com/1833
